The decision to build a new church was made in 1963, The architects Burles, Newton & Partners were appointed and drew up a scheme for a church seating 470. Financial restraints delayed the start of building work until 1966. The contractors were William Thorpe and the foundation stone was laid by Bishop Burke in October 1967. The church was opened two years later in 1969. The same architects designed a presbytery, added in 1975.
St Luke's is interesting and very well preserved example from the first generation of churches built to accommodate the liturgical recommendations of the Second Vatican Council. The external appearance has been changed with the replacement of the copper roof, but apart from fairly minor reordering it is largely intact. The wide interior gives full views of the altar.
All orientations given are liturgical. The church is a steel-framed structure with loadbearing gable walls built on a series of rafts to guard against mining subsidence. It was designed to ensure that the congregation would have unimpeded views of the sanctuary, and the architects described the layout as ‘in conformity with the Spirit of the new Constitution’ (Catholic Building Review, Northern Edition, 1964 p. 96). The plan is near rectangular, angled at the east end, with a striking roof swooping up at the east end and trios of sharply pointed gables on each side.
The building is entered on the northwest side via a low porch which gives to a narthex and a former baptistery lit by a pyramidal roof light, attached on the west side. Light pours in to the narthex from a screen with semi-abstract stained glass with the ox symbol of St Luke, an original fixture.
The nave is an impressive and memorable space with the boarded roof forming dramatic shapes which frame the east end and sanctuary, where a pair of full-height slit windows are angled to cast light without creating glare and frame a Crucifix. The roof rises up on each side of the big triangular windows on the north and south sides.
3 triangular windows to the south have stained glass showing the Tree of Life the True Vine and the Cross of Faith designed by Roy Coomber of Pendle Stained Glass in 2002-3.
The North windows: True Vine, Our Lady, Tree of Life: Pendle Stained Glass in 2015-2017
A sanctuary reordering took place at some point when the southeast chapel Blessed Sacrament Chapel became the Lady Chapel. The stained glass is on sacramental themes and the chapel now features a Pietà and a collectoin of drawings of Our Lady by the artist Harold Riley.
The original altar rails were removed, and the sanctuary carpeted. The tabernacle, of stainless steel with high relief abstract modelling, was repositioned behind the altar at the time of the reordering. The sanctuary Crucifix with a gilded figure of Jesus is by E Blackwell. It was originally suspended above the altar but is fixed to the sanctuary wall. At the same time the font was brought from the baptistery into the body of the church.
There is a cantilevered west gallery forming a choir loft with a pipe organ set into the wall above it. The organ is by Manchester organ builders Jardine & Co.
Stations of the Cross are by Harold Riley, installed in circa 2003. They consist of triptychs executed in pencil and wash. Other works by Riley include a study of the Virgin dated 2003 and a print of his painting Our Lady of Manchester.